Art Quarterly Autumn 2022

I’ve written two pieces for Art Quarterly Autumn 2022: reviews of Vivian Maier: Anthology at MK Gallery and Ruth Millington’s…

Max Ferguson: Whistling for Owls

Glassine, a smooth, distinctively rustling, semi-translucent paper, is a material I remember from childhood. My father, a teacher with a…

Someone yawning, a baby with a blurred face, weddings, jazz clubs, caravan holidays and a child in a kilt with…

Developed by GRAIN Projects in partnership with Multistory as part of Birmingham 2022 Festival, a large-scale cultural programme designed to…

A commissioned text to accompany Denise Startin’s solo exhibition at Coventry Artspace’s Arcadia Gallery, 2022. Read in full here.

Julian Germain’s book The Face of the Century (1999) was published to mark the turn of the millennium through portraits of 100…

Gently Bumping is a limited-edition collection of texts that sit at the intersection of poetry, prose and life-writing. The book…

I wrote three pieces for Art Quarterly Summer 2022: previews of Adeela Suleman: Allegory of War at MAC Birmingham and…

The book E.M.T. in MSP, recently published by German-Swiss Edition Taube, extends a project first exhibited at Gallery Crone in Berlin…

Ingrid Pollard migrated from Guyana to London in 1956 and now lives in rural Northumberland. This ambitious new exhibition, for…