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Anneka French

Artist, writer, curator

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Ming Smith: An Aperture Monograph

With consummate skill and dedication Ming Smith has created an extraordinary body of work over the last sixty years. Smith’s…

Aperture, Ming Smith, photography, Photomonitor

Water pouring through the sink

Wellcome has commissioned five photographers from five different countries for The Covid-19 Anxiety Project, which coincides with the submission period for…

Cait Oppermann, Care, Hayleigh Longman, LindoKuhle Sobekwa, Manu Brabo, Photoworks, Photoworks+, Tatsiana Chypsanava, Wellcome

I am reaching out to you

For this writing commission for Grain’s Covid-19 Responses project I have used the phrase ‘I am reaching out to you’…

Anneka French, Carrie Mae Weems, Elinor Carucci, GRAIN, I am reaching out to you

Gin Rimmington Jones / The Writing of Stones

The ground floor of Argentea Gallery is hung with seventeen black and white prints shot on location in the partial…

Anneka French, Argentea Gallery, Gin Rimmington Jones, Photomonitor, The Writing of Stones

A gift or a poem

A text commissioned for Birmingham City University’s MA final show online, 2020.

A gift or a poem, BCU, Birmingham City University, Unavoidable

Kadie Salmon: Restlessly Idling

Kadie Salmon is best known for large-scale black and white photographs, hand-tinted to give a dream-like luminosity, sometimes folded into…

Kadie Salmon, Photomonitor

Everything Looks Different in the Dark: a review of ‘Velvet Black’ by Fleur Olby and ‘Night Blooms’ by Angus Carlyle

Fleur Olby’s ‘Velvet Black’ (2018) and Angus Carlyle’s ‘Night Blooms’ (2020) contain photographs of flowers and other natural phenomena in…

Angus Carlyle, Fleur Olby, Night Blooms, Photomonitor, Velvet Black

I try to write about nature

A text written July 2020.

Anneka French, I try to write about nature

Crisp shells // pink bones

A text written June 2020.

Anneka French, Crisp Shells, pink bones

Coventry Biennial: Communiqué Issue One

I am delighted to release the first in a series of semi-regular Communiqués as part of my curatorial role at Coventry Biennial.

Coventry Biennial, Coventry Biennial of Contemporary Art, HYPER-POSSIBLE, Matthew Krishanu, Ryan Christopher

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